You do not need a fast lens to get background blur. Trace the subject with the Pen tool to build a selection, invert it, then apply Lens Blur — both the strength and the shape of the blur are adjustable. It works for portraits and still lifes alike.
In the Layers panel, select the original layer (usually Background) and press Ctrl + J (⌘ + J on Mac) to create Background copy. Everything that follows happens on that copy, so the original file is never damaged.
1. Press P (or click the Pen icon in the toolbar) to select the Pen tool.
2. On the left of the toolbar, switch the mode to either Shape or Path — Path is the better choice here.
3. Use the scroll wheel or the Zoom tool (Z) to get to 150%~200%, so you can place anchors precisely along the outline of the subject and the chair.
4. Click around the subject's edge in order to build a closed path (double-click the last anchor to close it). If a segment comes out lumpy, refine it afterwards with the Convert Point tool.
- Click and drag to create a Bézier anchor in one go;
- If you do not want a curve, a single click produces a straight segment;
- Hold Alt (Option) to move the two handles of an anchor independently.
Once the path is closed, press A (or click the Direct Selection tool in the toolbar). You can now click individual anchors and nudge them until the path hugs the subject's outline.
1. In the Paths panel (Window → Paths), right-click the path you just made to open the context menu.
2. Choose “Make Selection” (shortcut Enter), tick Feather in the dialog and set it to 1 pixel, then click OK.
The path becomes a marching-ants selection with a slight feather already on the edge, which lets the blur blend in naturally later.
With the selection still active, go to Filter → Blur → Lens Blur (Filter → Blur → Lens Blur).
In the Lens Blur dialog, these are the settings that matter:
- Radius: how strong the blur is. 8‑15 pixels is usually enough; scale it to the image.
- Shape: leave it at the default, Circular.
- Feather: raise it if you want a softer transition, but the selection already carries 1 pixel of feather, so 0 is right most of the time.
Click OK and the background is blurred as a whole.
Lens Blur softens the background as a whole, but areas such as strands of hair or fine fabric folds can be left looking only partly blurred. Select those spots one at a time with the Polygonal Lasso and run Lens Blur again to deepen them locally.
- Choose the Polygonal Lasso tool (L) and set Feather to 1 pixel in the options bar.
- Click clockwise or anticlockwise around each under-blurred area (hair tips, the edge of a collar) to close a selection.
- Repeat Step 5: open Lens Blur again, this time with a smaller Radius (2‑4 pixels), to blur the detail lightly.
When every detail is done, press Ctrl + D (or ⌘ + D) to deselect.
- Soft edge around the subject: check the feather value in Make Selection. If it is too large, rebuild the selection at 0 or 0.5 pixels.
- Uneven background blur: use Gaussian Blur (Filter → Blur → Gaussian Blur) as a fallback — blur broadly first, then refine with Lens Blur.
- Hair detail lost: in the Lens Blur dialog, adjust Blade Curvature, or lower the sharpening on the detail tab.
References
- Online PS
- Adobe official documentation
- Photoshop tutorial sites